September 12—October 10, 2015
Hossein Amanat, Jim Breukelman, and Holly Ward
Utopias Constructed II
Utopias Constructed II brings into dialogue the works of Hossein Amanat, Jim Breukelman, and Holly Ward as they consider the geographical and socio-political conditions in which utopia might be found. The tower, a timeless symbol of eminence and prestige, constitutes a nexus at which these interpretations converge.
Breukelman’s photographs trace how urban development in Vancouver subverts utopia, even as it paradoxically strives toward it. In his Counterpoint series, Shangri-La semiotically connotes an idyllic paradise, one that is at odds with the the abrupt, zigzagging textures of the now-iconic tower, depicted during its construction. Amanat’s architectural drawings are similarly grounded in familiar geographies and milieus, yet remain abstracted as ideas (or ideals). His speculative towers exist only as possibilities, exerting their own social and ecological dynamisms on an alternative vision of the world: one in which the structural lines of each building embrace the sinuous, even chaotic colours of their environs. Theorizing utopia from the vantage of academia’s ivory tower, Ward’s sculptural work Ideas and Integrities, Version 2 is an assemblage of shelved books, hung from the gallery ceiling. This library responds to political and economical postulations of utopia, echoing the liminality of Amanat’s images through a gesture of physical suspension.